Performers on a dark stage at the WorldSkills closing ceremony in Lyon: in front, a backlit paper-cut cape spreads like wings, behind it glowing gowns of paper flowers, folded paper and a pleated fan.

Blooming Fold

Paper-based craft becomes a language of wearable structure. Developed for the closing ceremony of WorldSkills Lyon 2024, Blooming Fold brings geometric assembly, cutwork and folding into dialogue with the moving body. Five costume designs explore how planar materials acquire volume, articulate light and transform through performance.

Chinese paper-cutting, folded flowers and folding fans provide a repertoire of operations through which flat surfaces become spatial forms. Cutting, creasing, interlocking and layering are translated into garment construction, connecting the scale of handcraft with the proportions of the body and the visibility of the stage.

Across the collection, costume operates as both a wearable object and a moving spatial composition. Modular geometry, floral assemblages and articulated folds organise volume around the performer, while illumination reveals openings and layered surfaces. Blooming Fold describes this unfolding relationship between material, body and light.

A model holding a star-shaped paper headpiece above her head, her gown of triangular paper modules glowing amber from inside, against a warm grey backdrop.
Illuminated view
A model in a strapless gown built from white folded triangular modules that widen into a faceted skirt, against a dark grey backdrop.
Unlit view

A tessellation-based system organises triangular modules into a faceted silhouette. Computational geometry informs their dimensions and distribution, while interlocking connections draw on the logic of mortise-and-tenon joinery. Repeated units establish a spatial rhythm around the body, with angular surfaces registering changes in light and posture.

Black-and-white studio photograph: a dancer mid-pose holding a large laser-cut floral panel, wearing a dress massed with paper blooms, against a white cyclorama.
Full look
A curved paper-cut panel of floral patterns wrapping around a model, her face in shadow behind the cut-outs.
Cutwork detail
A model in silhouette behind a backlit paper-cut panel, light falling through its floral cut-outs.
Backlit silhouette

Paper-cutting becomes a permeable surface around the body. Magnolia and iris motifs are cut into expansive, wing-like forms, while integrated lighting makes their openings and overlapping layers legible on stage. Movement continually shifts the relationship between ornament, silhouette and shadow, bringing the paired garments into a shared choreography.

A model standing on a white cylinder, lifting a wide headpiece of paper flowers, her skirt a sweeping mass of white paper blooms.
Full look

Individually hand-formed paper flowers accumulate across the gown and headpiece, building volume through variations in scale, density and texture. An internal framework supports the floral assemblage, allowing the silhouette to extend beyond the body. The garden becomes a principle of construction, with many discrete elements composing a continuous, sculptural whole.

A model seen from behind in a tall cylindrical skirt of folded paper cells, a round folded paper headpiece on her head.
Back view
A model leaning forward inside the folded paper skirt, the round folded headpiece above her face.
Full look

Symmetry and repeated folds translate paper-flower craft into an architectural silhouette. A continuously folded headpiece accompanies a gown of interlinked panels, establishing a dialogue between concentrated geometry and an expansive, layered surface. Repetition produces depth and visual rhythm, while the restrained palette foregrounds the relationship between crease, light and volume.

A model seated within pleated paper fans, a large fan opening behind her and layered pleats spreading across the floor.
Full look

The folding fan becomes an articulated extension of the body. Bamboo ribs and paper surfaces form a manually operated structure at the back, allowing the wearer to alter the silhouette through opening and closing. Pleated elements of different lengths and widths extend this logic across the garment, connecting sculptural volume with gesture and mechanical movement.

Performers on a dark stage at the WorldSkills closing ceremony in Lyon: in front, a backlit paper-cut cape spreads like wings, behind it glowing gowns of paper flowers, folded paper and a pleated fan.
Blooming Fold at the WorldSkills Lyon 2024 closing ceremony
A model walking across a dark stage in a glowing white gown with a sweeping layered skirt and a tall lit headpiece, a wavy blue-lit set piece at the right edge.
Illuminated folds and silhouette during the performance

Presented at the closing ceremony of the 47th WorldSkills Competition in Lyon in September 2024, Blooming Fold brought the five costume designs into a shared stage composition. Integrated illumination defined cutwork, folds and layered surfaces against the darkened arena, while the performers’ movement revealed changing profiles and spatial relationships. The collection’s material explorations became part of a live choreography of body, structure and light.

Junpeng Liang, 2024

With Yi Xiang and student teams from the China Academy of Art and Donghua University

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